Wood designs and projects come in many forms. These include frames for glass and mirrors, bentwood cedar for cradles and bentwood boxes, as well as large bentwood box base drums. Cedar may also be burned or carved designs.
Glass vases, bowls and mirrors are the main materials used for etched and sandblast designing. The designs are original but may also be applied to multiple materials as well, which would require third party participation.
Designs are created on tracing paper and refined before transferring to final draft, then the design is transformed into an original design. Designs may take days, or even months to create.
As a young boy growing up in Port Edward, I was introduced to First Nations art through an art program in grade three. This art program is where I learned to draw shapes, put those shapes together and create spirit animals. These animal shapes were the cultural identity of my cultural heritage, Nisga'a.
I moved to Gitwinksihlkw, my father's original home community in the Nisga'a Territory, Nass Valley, Northern BC. I continued in my highschool education while living with my sister Julia, but my other siblings, Arthur, Phillip,
Lorna, Ethel, Millie, Richard, and Bev were also living in the Nass Valley. My mother was originally from Gitlaxdamix, so I consider both Gitwinksihlkw and Gitlaxdamix to be my home. In a much broader perspective, I consider
the Nisga'a Territory as home.
I became a truck driver later on in 1987 and the following year was married. Driving logging trucks and having a small family took up a lot of time. My designing took a back seat to
my very busy schedule. Self governance and Politics were also a part of my busy schedule later on in the mid 90s. I worked for the local First Nations Government Nisga'a Tribal Council, now Nisga'a Lisims Government, as
a front line worker and then later on in the 90s I entered into the political arena.
My family and I moved to Vancouver shortly after my short political career. I started a new career with Correction Service Canada. I spent many hours on the road and very long hours working in a prison, where the shifts were 7 days in a row with three days off, while cycling through day, evening, and graveyard shifts. This added to the strain of not being able to be creative with my art work, but I continued to work on many new designs. Because of my hectic schedule, some of my designs took months to complete.
I spent some time away from work due to a car accident but when I returned to Corrections I was returning in a different capacity. I was a plain clothes officer in social development, still in the prisons, which led to my being
headhunted for Aboriginal Initiatives (now Indigenous Initiatives) at Kent Institution, a maximum security prison.I continued in this capacity when transferring to other institutions and eventually transferring to community
parole.
An opportunity came to work at Regional Headquarters on assignment for a year as Project Officer. This led to the though of retirement as I had reached a milestone in my Correctional career, MANAGEMENT, something
I had hoped for in my dreams of becoming an entrepreneur, owning and managing my own designing company.